Seiren Musical Project 55th
Supper班
CAST&STAFF
Blood班
植竹悠理
森和起
Seymour
Seymour
シーモア
I know Seymour's the greatest, But I'm dating a semi-sadist. So I've got a black eye and my arm's in a cast. Still, that Seymour's a cutie. Well, if not, he's got inner beauty and I dream of a place where we could be together at last. A matchbox of our own. A fence of real chain link, a grill out on the patio Disposal in the sink. A washer and a dryer and an ironing machine in a tract house that we share. Somewhere that's
green. He rakes and trims the grass. He loves to mow and weed. I cook like Betty Crocker and I look like Donna Reed. There's plastic on the furniture to keep it neat and clean in Pine-Sol scented air. Somewhere that's green. Between our frozen dinner and our bedtime, nine-fifteen. We snuggle watchin' Lucy on our big, enormous twelve-inch screen. I'm his December Bride. He's Father, he Knows Best. Our kids watch Howdy Doody as the sun sets in the west a picture out of better homes and gardens magazine far from Skid Row. I dream we'll go somewhere that's green.
Audrey
オードリー
栗原彩夏
橋本茉子
竹内堅太郎
長妻曉
How would you like to be my son? How would you like to be my own adopted boy? (I never liked him much before, but count the cash that's in the drawer I've got no choice-
Mushnik
ムシュニク
Honey Fitz and take your pick. Then kiss me quick, I'll be your son. Dont' make me sick, just be my son. Mushnik & Son sounds great. Three words with the ring of fate.
I'm much too poor-) Say yes. What for? Seymour I want to be your dad. I'll gladly treat you like my blood and my own flesh. Like Ozzie Nelson, Dave and Rick? Like
橋本千聖
Come on, come on think all those offers. Come on, come on I swear on all my spores when he's gone, the world will be yours. Come on,come on it's suppertime.
AudreyⅡ
オードリーⅡ
He's got your number now. He knows just what you've done. You got no place to hide you got nowhere to run.He knows your life of crime. I think it suppertime. He's got his facts all straight. You know he's on your trail. He's gonna turn you in.
杉浦瑛
Orin
オリン
When I was younger, just a bad little kid, my mama noticed funny things I did like shooting puppies with a B.B. gun. I'd poison guppies and when I was done. I'd find a pussycat and bash in its head.
That's when my mama said. She said, "My boy, I think someday you'll find a way to make your natural tendencies pay. You'll be a dentist. You have a talent for causing things pain. Son, be a dentist. People will
You'll be a success and though it may cause my patients distress somewhere in heaven above me, I know that my mama's proud of me 'Cause I'm a dentist- and a success. Say ah! Now spit.
pay you to be inhumane temperament's wrong for the priesthood and teaching would suit you still less Son, be a dentist.
新野成彬
柴田凌雅
America. Events which bore a striking resemblance to the ones you have just seen- beganoccurring Subsequent to the events you have just witnessed, unsuspecting jerk from Maine to California. Made the acquaintance of a new breed of flytrap and got sweet-talked into feeding it blood. Thus the plants worked their terrible will finding jerks who would feed them their fill. And the plant proceed to grow and grow-and grow.
Chiffon
Chiffon
シフォン
Subsequent to the events you have just witnessed. Similar events in cities across
梅野杏珠
都築咲穂
クリスタル
Crystal
Crystal
Alarm goes off at seven and you start uptown. You put in your eight hours for the powers that have always been. Till it's five P.M. Then go Downtown where the folks are broke. Downtown where your life's a joke. Downtown when you buy your token, you go home to skid row. Yes, you go Downtown where the cabs don't stop. Downtown where the food is slop. Downtown where the hop-heads flop in the snow down
三橋優心
竹内琴美
Ronette
Ronette
ロネット
One day he pushed a broom nothing in his news but gloom and doom. Then he lit a fuse and give hime room. Stand aside and watch that Mothah blow Explosion! Bang! Kerboom! Don't it go to show ya never know? Seymour was in a funk. He was number zero. Whod'a thunk he'd become a hero? Just a punk, he was a forgotten
木鋪有貴
後藤莉衣菜
so-and-so. Then one day- Crash! Kerplunk! Don't it go to show ya never know? All the world used to screw him. Biff-wham-pow! Now the interview him and they clamor to put his remarks. On the air all the worls used to hate him. Now they're startin' t'appreciate him all because of that strange little plant over there. Observe him! Here's a chap everything is landing in his lap. Zam! Kazap!
Don't it go to show ya never know? One day you're slinging hash feeling so rejected Lightning flash, you get resurrected. Make a splash- now you rate the big Bravissimo. And with a thundercrash- Crash kerplunk, bam kerboom Zang kazunk, zam kazoom Zowee powee holy cow he ordered up a rainbow to go. Wow! Pow! Lookout below! Don't it go to show ya never know?
アンサンブル
Ensembles
Alarm goes off at seven and you start uptown. You put in your eight hours for the powers that have always been. Till it's five P.M. then You go Downtown where the folks
are broke. Downtown where your life's a joke. Downtown when you buy your token, you go home to skid row. Yes, you go Downtown where the cabs don't stop. Downtown where the food is slop. Downtown where the hop-heads flop in the snow Down on Skid Row. Uptown you cater to a million jerks. Uptown you're messengers and mailroom clerks
eating all your lunches at the hot dog carts. The bosses take your money and they break your
hearts. Uptown you cater to a million whores. You disinfect terrazzo on their bathroom floors. Your morning's tribulation, afternoon's a curse and five o'clock is even worse. That's when you go Downtown.
土田鶴子
高本真衣
Downtown. Downtown. Down on skid row. Down on skid row. Down on skid row. Down on skid row! Where the guys are drips. Where they rip your slips. Where
relationships are no go. Down on skid row. Down on skid row. Down on skid row. Down on skid row! Poor! All my life I've always been poor. I keep asking God what I'm for, and he tells me "Gee, I'm not sure sweep that floor, kid." Oh, I started life as an orphan, a child of the street here on skid row. He took me in, gave
me shelter, a bed, crust of bread and a job. Treats me like dirt, calls me a slob, which I am. So I live
Downtown. That's your home address. Ya live Downtown when your life's a mess. Ya live Downtown where depressions' jes' Status Quo. Down on skid row. Someone show me a way to get outa here, 'cause I
城戸あかり
竹下莉々夏
前田真生
constantly pray I'll get outa here. Please, won't somebody say I'll get outa here. Someone gimme my shot or I'll rot here. Downtown. There's no rules for us. Downtown 'Cause it's dangerous. Downtown where the rainbow's jus a no-show. Downtown where the sun don't downtown. Past the bottom line Downtown. Go
ask any wino, he'll know. I'll do I dunno what to get outa skid. Downtown but a hell of a lot to get outa skid. Downtown. People tell me there's not a way outa skid. Downtown but believe me I gotta get outa skid row! Hey Seymour Krelborn, you prince you. My name is Bernstein, I'm with N.B.C. I came down here to convince you to do a weekly T.V. show for meSeymour Krelborn's Gardening Tips for half and hour on Saturday's at four.
齋藤早咲
We'll send someone down, let's say Thursday for shots of you and your beautiful plant. Forget the cable we sent you. It's nice to meet you, the pleasure is yours. Now let my firm represent you. We want to book you
清水さゆり
T.V.'s first home-gardeing program. You'll make a mint and our ratings will soar. They say the meek shall inherit. You know the book doesn't lie. It's not a question of merit. It's not demand and supply. They say the meek gonna get it and you a meek little guy. You know the meek are gonna get what's comin' to 'em
小林更紗
by and by. I'd like a word with you, lover. I'm sure you know me, the Editor's wife. We want your face on the cover of the December 3rd issue of Life. Yes the front of Life Magazine. Thats an honor we so seldomgrant
on lecturing tours. College campus, Rotary Club. The kind of bookings my office can do. Show the plant, then talk, answer questions. It's educational, lucrative too.
What am I saying? No way! Forget it! It's much too dangerous to keep the plant alive. I take these offers, that means more killing. Who knew success would come with Messy, nasty strings? I sign these contracts. That means I'm willing to keep on doing bloody, awful, evil things! No! No! There's only so far you can bend. No! No! This nightmare must
斎藤龍秀
come to an end. No! No! You've got no alternative. Seymour old boy. Though it means you'll be broke again and unemployed. It's the only solution, It can't be avoided- The vegetable must be destr-
Mys future's starting, I've got to let it. Stick with that plant and gee. My bank account will thrive.
oyed! But then there's Audrey, lovely Audrey. If life were tawdry and impoverished as before.
平はるむ
星野龍一
not a question of merit. It's not demand and supply. You'll make a fortune, we swear it if on this fact you rely. You know the meek are gonna get what's comin' to 'em by and by. They may offer you fortune and fame. Love and money and instant acclaim but whatever they offer you. Don't feed the plants. They may offer you lots of cheap thrills. Fancy condos
She might not like me, she might not want me without my plant, she might not love me anymore. They say the meek shall inherit. You know the book doesn't lie. It's
竹宮陽哉
not a question of merit. It's not demand and supply. You'll make a fortune, we swear it if on this fact you rely. You know the meek are gonna get what's comin' to 'em by and by. They may offer you fortune and fame. Love and money and instant acclaim but whatever
in Beverly Hills but whatever they offer you. Don't feed the plants. Look out! Here comes Audrey Two! Look out! Here I come for you! Hold your hat and hang on to your soul. Something's coming to eat the world whole.
If we fight it we've still got a chance but whatever they offer you. Though they're slopping the trough for you. Please, whatever they offer you. Don't feed the plants. We'll have tomorrow. Don't feed the plants! Don't feed the plants.
演出 中本吉成
「レ・ミゼラブル」「ミス・サイゴン」「ジーザス・クライスト=スーパースター」などのミュージカルで活躍する。ミュージカル座では、中心俳優として多くの作品に立ちながら、演出家としても活躍。
「アンコール！」、「アイ・ハヴ・ア・ドリーム」、「不思議なラヴ・ ストーリー」、「スター誕生」、「マリオネット」「踊る！埼玉」、などの演出を手掛ける一方、ブロードウェイ・ミュージカル「アイランド」や、イギリスの作曲家との共同製作による「BEFORE AFTER」、ジュニア・ミ ュージカル「ファミリア！」など、オリジナル作品に留まらず、意欲的に活動している。「野の花」(片山陽加主演)、「ママの恋人」などのストレートプレイの演出のほか、コンサート、ディナーショーの構成・演出・脚本等、活動の幅を広げている。